stories and supper

A friend of mine had this little poster on her Facebook page this morning. It showed up on the heels of a conversation at work last night about the nature of atoms and how much space there is in them. (I didn’t understand everything, but I did listen.) One of my colleagues said, “Atoms are made of mostly nothing.”

Not so with stories.

Over the past two Saturdays, I’ve had the privilege to gather with groups of people in two different area churches to talk about my book. The first was a potluck where we invited people to bring a dish that had a story with it. As we ate, we told the stories: pizza that carried memories of being an AFS exchange student; applesauce flavored with other fruit, as grandma used to do; green tomato relish, from another grandmother; Waldorf salad from childhood; Christmas tamales; Key Lime Pie and memories of the Woolworth lunch counter; mom’s sausage rolls; mom’s biscuits; mom’s bean salad; Nebraskan corn casserole; German muesli; and Italian mushrooms and tomatoes.

We shared the stories with tears and laughter, digesting the love and tenacity with which each of us held those memories. And the humor. One told of sitting in a doctor’s office one day and seeing a magazine with the word “posthumous” on it -- a new word to her: after death. She first confused the word with hummus, so she brought hummus to our meal, saying it reminded her of the way we bring food to one another after a funeral. Post hummus.

The second gathering was over tea, with some snacks, and in the course of our conversation I asked those gathered to talk about what meal time was like growing up, which also led us to talk about what meal times are like now -- what we have held on to and what we have worked to change. Before long, we were talking about much more than food: family dynamics, dreams found and lost, the unexpected turns of life. Once again, we digested the gifts offered to one another and left stronger and feeling more loved, even in the midst of much that remained unsettled and unsure.

Each time I have a chance to hear people tell their stories, I am more convinced that when Jesus said, “As often as you do this . . .” he wasn’t talking about the ritual of Communion as much as he was every time we break bread, together or alone. When we stop to nourish our bodies we must also remember we are nourishing our souls, lest we fail to do so. Every meal from a ham sandwich to a high holy day is a chance to remember, to digest -- again -- the truth that we are wonderfully and uniquely created in the image of God and worthy to be loved.

Let’s eat.

Peace,
Milton

lenten journal: handle with care

Ginger and I spent most of the day today at my parents’ house going through things and identifying stuff we want as they prepare to move from their house where they have lived for thirteen years, to a much smaller apartment. The journey through boxes, shelves, cabinets, and closets was a roller coaster of discovery and memory, and a chance to tell stories. One of the surprises was this old blue suitcase, which I found in the closet under the stairs and remember using when I was very young; inside were quilts my dad’s grandmother made out of his mother’s dresses. His mother died soon after he was born.

And that was just one of the surprises.

pokea kwa utaratibu
(handle with care)

in the closet under
the stairs of your heart
is an old blue suitcase
even though you are
in the middle of moving
the idea of more baggage
is never appealing
still you set it down
snap the silver locks
and lift the lid
to find hand stitched
quilts made of dresses
your grandmother
might have worn
to visit had you ever
had the chance to meet
you take the blanket
out of the baggage
and wrap it around
your shoulders
pulling it up over
your nose to smell
for even a trace of
what might have been
or what is to come
and then you fold it
and put it back
close the suitcase
and try to prepare
for the next journey
to say goodbye

Peace,
Milton

lenten journal: reflection

there are days I lay awake
at night and wonder even
worry about what’s to come
because the future feels

like a past due account and
I have already spent my time
thinking about tomorrow
putting the tense in present

there are nights like this
when I fall asleep holding
on to the day like the last
bite of the meal we shared

where we passed our plates
like forgiveness and let
ourselves love and laugh
like the present were a gift

and we press our fingers
to get every last crumb
and thank God we were
made to be hungry

Peace,
Milton

lenten journal: when it don't come easy

Our former foster daughter came to Durham this weekend because she is hurting and needed to be cared for. The only words I can find tonight belong to Patty Griffin and her song, “When It Don’t Come Easy” because it is such a tangible description of what love is: “if you break down, I’ll drive out and find you.” I know it is not the first time I’ve mentioned this song, but tonight it’s time to sing it again.

red lights are flashing on the highway
I wonder if we're gonna ever get home
I wonder if we're gonna ever get home tonight
everywhere the waters getting rough
your best intentions may not be enough
I wonder if we're gonna ever get home tonight

but if you break down
I'll drive out and find you
if you forget my love
I'll try to remind you
and stay by you when it don't come easy

I don't know nothing except change will come
year after year what we do is undone
time keeps moving from a crawl to a run
I wonder if we're gonna ever get home

you're out there walking down a highway
znd all of the signs got blown away
sometimes you wonder if you're walking in the wrong direction

but if you break down
I'll drive out and find you
if you forget my love
I'll try to remind you
and stay by you when it don't come easy

so many things that I had before
that don't matter to me now
tonight I cry for the love that I've lost
and the love I've never found
when the last bird falls
and the last siren sounds
someone will say what's been said before
some love we were looking for

but if you break down
I'll drive out and find you
if you forget my love
I'll try to remind you
and stay by you when it don't come easy

Peace,
Milton

lenten journal: chapter

saturday night at ben and jerry’s
they were the only ones in the place
beside the two behind the counter
they could be identified by
the flavors they had ordered:
peanut and banana greek yogurt
new york super fudge chunk
chocolate with sprinkles
jimmy fallon’s late night snack
but that doesn’t tell the whole story
there’s also the flavor of pain
one lost her husband not long ago
another broke up with her girlfriend
one’s longtime friend had a stroke
the last one’s job is tentative
but that doesn’t tell the whole story
which is ok by me because I was
talking about this particular night
full of rain and fluorescent lights
when the ice cream was stronger
than the pain – for a little while

Peace,
Milton

letting lola go . . .

Today we said goodbye to Lola, our eldest Schnauzer, who lived life with determination, never flinched from speaking up when she thought something (or someone) was wrong or there was a chance for a snack, and loved with her whole being. Life finally wore her out and we had to let her go on to a place where she can rest, see again, eat whatever she wants, and continue to comment on what needs to be corrected. I'm glad she was our pup and we were her humans.

Peace,
Milton

advent journal: poem, too

The spirit

       likes to dress up like this:

            ten fingers,

                 ten toes . . .

(Mary Oliver, “Poem”)

My father-in-law, Reuben Brasher, would have been eighty-one tomorrow; Wednesday marks eight weeks since he died.  I miss him.

poem, too

I think the Spirit
liked to dress up like Reuben:
every ounce of his being saying welcome,
a full-body smile that beamed love;
cobalt eyes as deep as the sky,
and a heart that stayed unlocked
no matter who entered.

his mind disappeared,
but his heart stayed the same –
his heart, and his eyes
the Spirit loved those eyes
because they could see
beyond our mountains of shame
to the clear blue morning in us all.

Peace,
Milton

go home to your friends

Ben and Scott Cunningham are wonderful songwriters and musicians, and awesome people as well. They are also my nephews. As a band, they call themselves The Olive Tree and they have just released a new collection (am I still allowed to call it an album?) that they offer as a free download at bandcamp.com. Here is how they describe the project:

A long time ago, there was a man who was deathly sick, broken down, and pushed out by everyone. One day, that man saw Jesus get out of a boat at the base of a hill, and he ran to him. Jesus healed this man. Then he turned to get back in the boat, and the man begged Jesus that he could be with him. But Jesus replied, 'Go home to your friends, and tell them what the Lord has done for you.'

This album is an attempt to do just that.

You can listen here though the player below, or go to their website and download it for yourself, along with some of their earlier work. You will be glad you did.


Peace,
Milton

saying goodbye

I've been quiet here for the last several days because we have been saying goodbye to my father-in-law, Reuben Brasher, who has been living with us for the last fourteen months as his Alzheimer's made him disappear and who crossed over Wednesday afternoon.

We are in Birmingham with family and friends to bury him today.

He was a wonderful, loving man who left behind a legacy of kindness and grace and bad jokes. I loved him dearly and am grateful I got to be part of his family.

Go in peace, Reuben.

Peace,
Milton

traffic jam

the freeway of love –
that’s what we’ve called it
since the first week
we moved here
and began navigating
life in our new city

and we smiled
when traffic reports
of snarls and slow
downs brought back
memories of route 3
and real traffic

four years on
I wonder if
anyone has ever
calculated which car
moves things from
a crawl to a halt

which circumstance --
the pinhole in
the upstairs pipe
the sick schnauzer
my allergies your
disappearing dad

leaves us caught
once more in the rush
hour of the heart
stuck in grief
minds still racing
no exit in sight

but we can sing . . .
life is a highway
god bless the broken road
we’re going riding
on the freeway of love
and we can’t look back

Peace,
Milton

advent journal: nothing new to say

When we came out of the restaurant, the air was raw – even people who know what real winter is would have shared my weather report. The wind was biting and we all braced ourselves as we walked to the car. We went out on a winter’s night because Reuben, my father-in-law, turned eighty today. We wanted to take him to Maggiano’s Little Italy because when we celebrated his seventieth we went to their restaurant in Boston, so we carried on the tradition, even in a different city.

But much has changed in ten years. And in the last two weeks.

Reuben’s Alzheimer’s appears to be picking up the pace of his disappearance, so these days of celebration and remembrance carry even greater significance. As we drove across town to the restaurant, he sang any number of songs that came to mind, beginning with his greatest hit, “Nothing Could Be Finer (Than To Be In Carolina),” and moving through much of Eddie Arnold’s catalog. When we got up from the pub table where they had us wait until our dinner table was ready, he took time to straighten all the chairs before he joined us. We asked questions about memories he can still find and he talked about growing up and going overseas in the Service. And then he effusively expressed his love for Rachel, his wife, and his eyes glistened and danced before they faded, once more, back into blankness. As we drove home, Ginger wished him happy birthday to remind him of why we were out in the cold and he began singing, “Happy birthday to me, happy birthday to me,” with great gusto.

My task before we left for dinner was to make a caramel cake, which has been rather elusive in the years before we moved to Durham. Around here, people actually know what that is. For those of you not from the South, let me say it will meet whatever sugar fix you have. I have tried several recipes over the years and Reuben has been gracious in eating them and enjoying them, but they were never the same as he remembered as a child. Today, thanks to whoever it is that writes Smitten Kitchen, I found a recipe that made the cake I have been looking for. We got home from our sojourn and finished the evening with a good shot of sugar infused with a lifetime of memories. He made it to eighty. We are all here together in Durham, along with the pups.

What we are living through doesn’t get fixed by following the Star.

Christmas will come, Christ will be born, and Reuben will still be disappearing. We will have to tell him it’s Christmas – more than once. And what it feels like for us to live through this year is not new ground. As many Christmases as there have been, there have been people living in pain, losing one another, wondering what difference it makes that unto us a Child is born – which is not as cynical or as hopeless as it sounds. Much of the hope is the resonance of woundedness: we are not the first. We stand in the lineage that begins with certain poor shepherds and winds its way through hospital halls and houses, down the days shared by friends and families who know life’s crushing load all too well.

And Mary brought forth a son who came to both redeem and resonate: God with us.

When I came up to write tonight, I had a song swirling inside me, which I subsequently found on Youtube and watched, cried, and sang along several times before I began typing. The song is Kathy Mattea’s “Where’ve You Been?” (written by Jon Venzer and Don Henry). It tells the story of a couple who were married sixty years before one began to disappear. The final verse says

claire soon lost her memory
forgot the names of family
she never spoke a word again
then one day they wheeled him in
he held her hand and stroked her hair
in a fragile voice she said
where've you been
I've looked for you forever and a day
where've you been
I'm just not myself when you're away

I get to this point in my posts and I think, “I’m saying the same things over and over.” I am pulled to repeat carols and Patty Griffin lyrics I have posted over and over, I come back to what it means to be community – together, and what it means that God climbed into our skin and joined the circle of woundedness and wonder. I find comfort in the repetition because it’s one of the ways I am drawn to resilience. I read T. S. Eliot’s “Journey of the Magi” and come to the lines where he says

All this was a long time ago, I remember,
And I would do it again, but set down
This set down
This:

And I can feel him banging those words on the desk, the repetition compelling me to pay attention and let the words make their indelible mark on my heart by tapping at it again and again.

One of the people with whom Reuben shares a birthday is Peter Buck of REM. They have also been victims of my repetition over the years because “Everybody Hurts” is a hymn, as far as I’m concerned.

when you think you've had too much
of this life well hang on
'cause everybody hurts
take comfort in your friends
everybody hurts
don't throw up your hands
oh no don't throw up your hands
if you feel like you're alone
no no no you are not alone

On this night when the dark and cold are deep inside, when the light in Reuben’s eyes flashed for a fading moment, and when all I know to do is to cling to those I love and words I know so that Christ will be born again in my time, I have nothing new to say. But what I have is enough.

Peace,
Milton

these are

the dig in the dirt
go to bed tired
spread out the gravel
plant the trees and vegetables days

the creak in the knees
crust in the knuckles
come back in five years
to see how it all worked out days

the plot the resurrection
slam the door open
say thanks for the help
give thanks for the pups days

the listen to the same riddles
watch him disappear slowly
watch him sit in silence
learn what it means to be family days

the all that I hoped for
never saw it coming
wish there were another way
keep our promises to each other days

the I’m with you
I'm with you
I’m with you days

Peace,
Milton

what to do

while he is disappearing
we find ourselves
under the same roof
unpacking boxes
understanding
we have changed
the trajectory
of all our lives

while he is sitting
we push ourselves
to make him safe
and comfortable
without knowing
what he sees
or what he thinks
behind the blankness

while he is here
we will eat together
take turns staying
home with him
hear the same jokes
and wonder what to do
or so it seems
on this, the second day

Peace,
Milton

moving target

By the time I got to worship yesterday morning, I had already run a couple of errands, made sure the DVR was recording the World Cup match, made plans to spend part of the afternoon at the Food Truck Fiesta at the Durham Farmers’ Market Pavilion, and sketched out a bit of a plan for what the week ahead might look like. We begin a strange sort of familial migration this week as we prepare to make room for Ginger’s parents to move in with us. Her father’s Alzheimer’s is digressing (I find it hard to say, “progressing”) to the point where her mother cannot care for him alone, so we are all going to do this together. “This” involves selling their house in Birmingham and our current house here in Durham and buying another house with the room we need.

I sat down in a pew by myself, surrounded by all that was swirling around me, and was caught, once again, by the serendipitous intersection of lectionary and life as I heard one sentence from Luke 9 in particular: “"Foxes have holes, and birds of the air have nests, but the Son of Man has nowhere to lay his head." The words jumped out of context, out of nowhere, and out at me, offering a moment of challenge and comfort.

If I think of my life in themes, I can identify one quickly: I am a moving target. I have moved most all of my life. What stability I have known has come only since Ginger and I married in 1990, and even then we have lived in five houses (soon to be six) in twenty years. I am halfway through my fifty-fourth year and moving into residence number forty-something: I know from moving, trust me. I can look back at my life and see how I learned to be resilient and even extroverted to survive year after year of new addresses and acquaintances, how I became someone whose allegiance is somewhat scattered geographically and someone who can find a way to land most anywhere. And I also see how I have grown with stunted roots that still struggle to sink deep wherever I am.

When Jesus said those words, he had “set his face towards Jerusalem,” as the King James says, becoming increasingly aware of the darkening horizon that heralded his death. He could see how the dominoes were beginning to fall and he was done with small talk and negotiations. It was time, period.

Our first domino falls this week as we move out of our home for the last two years in our Old West Durham neighborhood that we have come to love and schlep all our stuff two miles to Old North Durham and what will become our new home. In a week or so, we will leave this place for someone else to inhabit and then move Ginger’s folks at the end of the month. The stakes are not as high as they were for Jesus and they are life-altering at the same time. As I heard the verses, I began to write furiously in the little notebook I keep with me. I will quote directly:

I am moving two miles.
I’m putting down deeper roots.
I’m learning what family means in new ways –
and I’m moving.

For the first time in my life, moving is a way to rootedness because I’m moving to make room for my family. I am moving – we are moving to make a home for those we love, those who are leaving their home of forty-five years and the city they have lived in their entire lives because of this insidious disease that is erasing my father-in-law one swipe at a time. In all my moves, this is the first time I have moved to make room, to make a place for someone. We have know idea what will happen next, but we do know it will happen to us together. As much as I detest the packing and unpacking, I am doing a different thing this time though the motions are much the same.

As Ginger unpacked the text in her sermon, she made a statement that caught me off guard. “We must remember,” she said, “that grieving is somewhat of a luxury.” I’m sure my head turned like our Schnauzers when they hear an unusual sound. I had never heard that sentence before, yet it rang with resonance in both my head and heart. She was speaking the kind of deep truth rooted in the wisdom of Ecclesiastes: there is a time for grieving and a time for moving, for doing the task at hand. She went on to say grieving was also a necessity and I heard yet another of the creative tensions of faith within which we are called to live: the necessity and the luxury of grief. We see it as we come to the Communion Table together where we both remember Christ’s death and we feed one another. The grief is as real as the needs around us; we must attend to both.

One of the joys I am finding in these days is the almost continuous reminder that we are not alone in our sojourning. Friends, church members, those we have hired to help us do different things, and even people we don’t know have been gracious and helpful in ways that remind me this is not a solo performance. Our new home feels destined to be a place full of hope and voices simply based on all the folks who are helping us get there. I stand inside and the house seems to beg for people to be eating and talking around the table, or singing on the porch, chasing fireflies in the backyard as often as we can arrange it. We are moving to make room. What I am beginning to see is the call is to make room for more than just our family.

Peace,
Milton

ties that bind

I’m writing this morning from a hotel in Napier, Illinois, which borders Wheaton, Illinois, home of Wheaton College, which, for the last four years, has been home for my nephew, Scott, who graduated yesterday. As much of the family as could get here gathered to celebrate him and his achievement, as well as making time for Mother’s Day and closing it all out with Ginger’s birthday celebration at Portillo’s, a Chicago favorite (or so we were told).

Scott is one of the good guys. No -- one of the great guys. He has a strong mind, a huge heart, a free spirit, a great voice, and he plays a mean guitar. Saturday night we got to hear his bluegrass band, The Creepers, play their final concert together. The band was born out of their friendships. When they arrived on campus four years ago, a bunch of guys on the same hall started jamming together on Saturday mornings and from there they grew into a band that has been, arguably, the biggest draw on the Wheaton campus. The families of the guys gathered at the house of the sister of the fiancée of one of them and listened and laughed with them for a couple of hours as they sang their way back through their memories into the present tense and the tangible bonds of love that we could see connecting them as they serenaded us.

I couldn’t help but think of Pierce Pettis’ wonderful lyric to “You’re Gonna Need This Memory”:

if all we got for all our trouble
is just this box of souvenirs
still it's worth a lot just to remember
just so we know that we were here

We were altar builders, conspirators of indelible hope, singing and clapping and laughing and loving our way into a memory that marked us all. We did not leave the same as we had come because the guys dared to friend each other (if I can borrow a Facebook verb) with such reckless abandon. They spent four years singing and playing and caring about each other without plans to hit the road or record a hit; they have been friends for the sake of being friends, singing their own soundtrack, and are now striking out in different directions, yet still tethered by the bonds of love.

I’ve only got a couple of paragraphs before I have to pack and start working our way back to Durham and the ties that bind us there, but I’ve spent the morning in memories of my own, grateful for friends from dorm rooms long ago, with whom I gathered for jam sessions of our own (even singing some of the same songs) – grateful that I can say to Scott with some certainty that love of friends and family travels well, reaches far, and reminds us who we are.










Peace,
Milton

we are not alone

In my new vocational incarnation, I am reading more, both books I’ve had stacked around for awhile and those I’m reading again with students. My tenth grade class is reading one of my favorite novels, Alan Paton’s Cry, The Beloved Country, which tells the story of Stephen Kumalo’s search for his lost son. Kumalo is my favorite character in literature and the story is full of faith and humanity, as evidenced by this exchange between Kumalo and Father Vincent, his friend.

My friend, your anxiety turned to fear, and your fear turned to sorrow. But sorrow is better than fear. For fear impoverishes always, while sorrow may enrich.

Kumalo looked at him, with an intensity of gaze that was strange in so humble a man, and hard to encounter.

-- I do not know that I am enriched, he said.

-- Sorrow is better than fear, said Father Vincent doggedly. Fear is a journey, a terrible journey, but sorrow is at least an arriving.

-- And where have I arrived? asked Kumalo.

-- When the storm threatens, a man is afraid for his house, said Father Vincent in that symbolic language that is like the Zulu tongue. But when a house is destroyed, there is something to do. About a storm he can do nothing, but he can rebuild a house. (140)

Perhaps the passage has haunted me because the words sorrow and house show up in the same passage. Sorrow is spreading like ivy across our family as we watch Reuben, my father-in-law, fall deeper into Alzheimer’s. The doctor said he has moved from the “severely moderate” stage to “moderately severe,” and lest that sound like medical semantics, we can expect his disappearance to deepen in days and weeks rather than months. We are losing more and more of him and I, like Kumalo, do not know that I am enriched. What we do know is it is time to bring him to us.

Ginger and I are making plans for her parents to come and live here in Durham with us by the end of the summer. Rachel is his primary caregiver and will soon not be able to do it on her own, so the arriving of our sorrow brings us to a place where it is time to gather in close and cling to each other, borrowing from a lyric I wrote long ago. The practical implications of the decision begin with our becoming real estate tycoons for a time, selling their house in Birmingham, ours here in Durham, and buying a larger place to accommodate us all. (Anyone want to buy a house?) My recent job change brings with it the unexpected blessing of significant time off this summer; it looks as though I will spend a good bit of it in some sort of moving van.

There is plenty of fear to go around: fear of Reuben’s continuing digression, fear of their moving for the first time in a half a century, fear of how all of this gets paid for, fear of whatever else might happen. The sorrow, as in the story, is not far behind. Elizabeth Bishop is right: the art of losing isn’t hard to master. Sharing a house with Reuben will be giving absence an address in a way, his familiar yet vacant shell sitting down to dinner with us each evening. As he continues to forget, we, his family, are charged with re-membering both him and ourselves, putting the pieces back together on a daily basis, rebuilding what continues to fall apart.

Even as I write about it, I don’t know what to expect, or how to expect it.

The tenth graders wrote essays today, looking at the same passage I quote here, along with a couple of others that didn’t come from the book to give them something to bounce off of. Here are two of them:

Courage is not the absence of fear, but rather the judgment that something else is more important than fear. – Ambrose Redmoon

There is much in the world to make us afraid. There is much more in our faith to make us unafraid. – Frederick W. Cropp

As I read them, I can hear Julie Miller singing in the background,

you have come by way of sorrow
you have come by way of tears
but you’ll reach your destiny
meant to find you all these years
meant to find you all these years

The reason I keep coming back to Stephen Kumalo is his story says what Cropp’s quote says: there is more in our faith to make us unafraid, even to make us bold. From where we are in the story right now, things only get worse for Kumalo, as far as circumstances go, and his compassion and faith only deepen. Father Vincent knows of what he speaks: sorrow makes for strong building blocks when it is shaped by courage and love. Part of the journey for Stephen is to a deeper understanding that he is not alone, either in the depth of his pain or the struggle for change.

The same is true for us.

We are not the first to watch helplessly as a loved one fade away before our eyes. We are not the first to struggle with the financial realities of what it means to be family. We are also not the first to trust that God is with us, as are a significant cloud of witnesses and fellow travelers. We are not alone.

We are not alone.

We are not alone. I might do well to let that begin most any paragraph I write because fear’s insidious intent is to erase that truth. We are not alone. I say it and remember it is as true for you as it is for me. In the midst of my real estate and reality, I am called to look up and offer a hand to you in your pain, even as I receive your offering.

We are not alone. What can separate us from the love of God? Will Alzheimer’s or distance or housing sales or debt? Will questions or sleeplessness or sorrow or fear? No. Nothing will separate us from a Love that will not let us go. We are not alone.

We are not alone.

Peace,
Milton

out from under the pollen

Through all of our years in Massachusetts, we had more than one Easter that left the children hunting for eggs in the snow. North Carolina offers warmer climes, but snow of a different sort: we’ve been knee deep in pollen. And I’ve sneezed and sorted and snuffled all week long. In my mind’s yellow haze there is room, however, to sing Paul Simon’s song, “Allergies” (from my favorite of his solo albums, Hearts and Bones):

I go to a famous physician
I sleep in the local hotel
From what I can see of the people like me
We get better
But we never get well
So I ask myself this question
It's a question I often repeat
Where do allergies go
When it's after a show
And they want to get something to eat?
Allergies
Allergies
Something's living on my skin
Doctor please
Doctor please
Open up it's me again

I am still in the transition from kitchen to classroom (seven more double shifts to go), so the days have been both stuffy and short. As one who has lived my whole life with allergies of varying sorts, part of the rites of spring is my asking why they have to be part of the mix. On some theological level, it does me good to ask the question because the question calls me to look beyond my misery to any number of more severe circumstances that people live with and through that don’t make any more sense than my sneezing. Not all pain is purposeful; some of it just hurts.

My relief came in being able to sit down to dinner with Ginger and Cherry and let the evening wind down and another layer of pollen fall while we tightened the bonds with pan-fried cod, good conversation, and a whole lot of laughter. I am looking forward to being home for dinner on a regular basis. While I was cooking tonight, I reached for a couple of James Taylor CDs I had not heard in some time, One Man Dog and Walking Man, which added another layer of memory and meaning to the evening including thoughts of an old friend I miss dearly when I heard:

Little David, play on your harp
Hallelu, hallelu, little David
Play on your harp, hallelujah
Little David, play on your harp
hallelu, hallelu, little David
Play on your harp, hallelujah

It’s late now. The darkness has fallen heavier than the pollen and I’m still snorting around, trying to the words out of my congested head and into some coherent shape. There’s no earth-shattering message to share, other than to say thanks for a good day and a wonderful evening, even in the middle of a pollen storm.

Peace,
Milton

lenten journal: re-reading our lives

Today was the first day of the week that I have not had to go from school to the Duke restaurant. Instead, I came home to cook dinner. OK, first I took a basketball nap, meaning I dozed off watching first round games of the NCAA Men’s Tournament, and then I went grocery shopping, and then I cooked dinner. Around our table tonight were Cherry, Diane, and Julie, each one of whom we have known since she was sixteen, though they each marked that age in different years. Julie, our former foster daughter, is visiting from Boston, so I made Chicken Broccoli Ziti, her favorite, and the five of us sat around the table for three or four hours telling stories that moved through time as though it were a big old house with rooms of memories that could be explored at will.

I received my weekly email today from the Utne Reader, one of the things in my life that allows me to get caught off guard, to find a link to an article about “The Fine Art of Re-reading Books” written by Richard O’Mara. In the middle of it he writes of a recalled memory brought to light by his re-reading:

Why, I asked myself, had I not retrieved these memories before? Why had I let them lie there, darkened by the decades that had fallen over them like soot? My mind, or the office within it responsible for organizing and filing memories, apparently decided to lock away those recollections for good. It took the late Herr Remarque to spring them. That these memories had nothing to do with the book itself suggests that anything buried deep in the brain, when dredged up, can have clinging to it things that have nothing to do with the object recovered.

The article caught my eye because I am re-reading A Passage to India because one of my friends at the Durham restaurant wanted to read it. The last time I read it, I was teaching British Literature at Winchester High School, and I am finding the faces and questions of my students between the lines as I work my way down the page. When I was asked to teach the class, I asked my department head if I could do something other than start at Beowulf and march down through the years. When she said yes, I gravitated to colonial and post-colonial literature because it was what I knew experientially from my days in Africa and it was the literature that moved me. I knew from experience that offering literature that didn’t move me was to offer my students a corpse of a class: we would find no life there. That first year I went from Conrad’s Heart of Darkness (still one of my favorites) to Chinua Achebe’s Things Fall Apart to Forster to Alan Paton’s Cry, the Beloved Country, moving from colonialism to the days of independence, from separation to the first attempts at friendship across the divides caused by imperialism and conquest.

Ginger, Cherry, Diane, and Julie were all a part of my life in those days, though none of them was in the class or reading the books. As O’Mara said, I find the memories of the days we spent together stuck to the pages as I read again of Mrs. Moore and Adela Quested:

They had made such a romantic voyage across the Mediterranean and through the sands of Egypt to the harbour of Bombay, to find only a gridiron of bungalows at the end of it. But she did not take the disappointment as seriously as Miss Quested, for the reason that she was forty years older, and had learnt that Life never gives us what we want at the moment that we consider appropriate. Adventures do occur, but not punctually. (23)

The five of us around the table tonight, eating and drinking and talking, took me back to any number of Thursday nights at our home in Charlestown. For several years we had Thursday Night Dinners for whoever wanted to come. If you came once, you had a place card; once you had the card, you always had an invitation. You just had to call by noon on Wednesday to let us know you were coming. The number varied, but the experience was the same: long after we had finished eating we sat around the table talking and laughing and making memories, just as we did tonight. Yet, we didn’t sit down tonight to recreate something that happened years ago. We re-read our lives together and fell into the stream of memory and meaning that remains as present as it does past.

An author puts words to page because he or she can do no other, I suppose, trusting that answering the call to art is a worthwhile response, even if that response feels somewhat feeble and futile. How could the story of an old woman in India be a response to the British colonial enterprise? I don’t know how to answer that question with anything other than I am reading the book again, eighty-five years later.

Wait. I have one more answer. The story is as significant as our supper tonight. On this seventh anniversary of the beginning of the Iraq War, in the middle of the struggle for healthcare reform, in the silence and struggle that followed earthquakes in Haiti and Chile, in the middle of the change and grief and sorrow and hope that mark our own lives, we sat down for dinner together. We sat down with all of those who once gathered around the table in Charlestown, with the memories of our shared existence, and with the understanding that whenever the adventure presents itself we will be ready to remind one another to take the risk.

I left the table filled and ready for adventure, whenever it shows up.

Peace,
Milton

of mice and me

Tonight is Burns’ Night.

Two hundred and fifty one years ago, on this night, the Scottish poet Robert Burns was born. Though I have a wee bit o’ Scottish blood in me, I’ve never been an avid celebrator of the anniversary, which Garrison Keillor describes as an evening when, “They read Burns' poems, sing his songs, eat haggis, and drink lots of whiskey.” Alas, the only whiskey in my house is Bushmills.

Burns stays with me for a different reason. As one who taught ninth grade English for a decade, I’ve read John Steinbeck’s Of Mice and Men more times than I can count, inviting students into the sad beauty of George and Lennie’s life together. The title of the book is drawn directly from Burns:

The best laid schemes o' mice an' men
Gang aft agley

which is often paraphrased in English as, “The best laid plans of mice and men often go awry.”

You may not remember much about the book. The fact is George and Lennie never had really big plans. Lennie was mentally disabled and looked at life with brutal simplicity. If George had had plans before Lennie, he had already laid them aside to take care of his friend. When they did talk about schemes, they had to do with saving money to get a place together, a dream that hangs in front of them until the very last scene of the novella. George explains it this way, when Lennie coaxes him to tell how they are different from the other guys working alongside them.

Guys like us, that work on ranches, are the loneliest guys in the world. They got no family. They don't belong no place. . . . With us it ain't like that. We got a future. We got somebody to talk to that gives a damn about us. We don't have to sit in no bar room blowin' in our jack jus' because we got no place else to go. If them other guys gets in jail they can rot for all anybody gives a damn. But not us.

What ultimately shapes us are not the plans we make, but the people we choose. I thought again today about the anniversary party I went to the other night. Though some attention was given to the various positions Rev. Cheek had held during his forty year ministry at his church, the stories that mattered were told by family and friends about family and friends, the laughter was as deep and resonant as the love that filled the room. Burns was right: the best laid plans won’t work out, mostly. What gives life its meaning are not our successes, for the most part, but those with whom we chose to share the failures, as well as the fun times. We call them our life stories, after all, not our life maps.

Here’s something Steinbeck wrote in his journal about a year after he published Of Mice and Men:

In every bit of honest writing in the world there is a base theme. Try to understand men; if you understand each other you will be kind to each other. Knowing a man well never leads to hate and nearly always leads to love. There are shorter means, many of them. There is writing promoting social change, writing punishing injustice, writing in celebration of heroism, but always that base theme. Try to understand each other.

If I think of my life in terms of plans, and plans gang aft agley, it makes about as much sense as a street map of downtown Boston. I’ve gone from being a pastor to a chaplain to a youth minister to a high school English teacher to a chef, with a couple of detours here and there. I’ve not gotten rich, to say the least. If life is some sort of distinguishable path, I’m hard pressed to show mine as a success. The good news is I don’t think of life that way. Life, to use a borrowed phrase, is a journey without maps. We have to pay attention to the people around us in order to find our way.

Every chapter of my life has been filled with those who have offered love and encouragement far more profound than I have deserved, as well as forgiveness. As we close in on twenty years of marriage (this April!), I feel more than ever what I have said before: whatever any kind of final judgment may look like, I believe simply saying, “I was with her,” will be enough to validate my existence, for she is the love of my life.

I have had plans along the way; I still have some. To this point, none of them has worked out as I either hoped or expected. Still, I spent the evening cooking with Abel and Arnaldo and came home to Ginger and the Schnauzers, so I understand exactly what George was saying: I got a future because somebody gives a damn about me.

Peace,
Milton

dinner music

I was reading Donald Miller’s blog – Part 2 of a great duo of posts on “Living a Memorable Life,” this one on making memorable scenes – and I was particularly struck by his discussion of the power of a detail: change a the power of a scene by changing the setting. Sometimes a seemingly small detail can alter the whole experience.

Ginger and I have owned three homes, and in each one the kitchen has played a central role. Well, let me rephrase that. In our two homes in Massachusetts, the kitchen was the central room to our story in many ways. Because of my work schedule in Durham, dinnertime has not been what we are accustomed to. Actually, for the most part, dinnertime has not been, and we both miss it severely and are determined it will not always be so. We like each other too much to not share our meals, and we like the home it creates and the people that gather around our table. But, because of life as it is right now, the kitchen in our home has not found its place, if you will, in our story. And then Ginger and her mother changed one detail: they gave me an under the cabinet CD player/radio for the room. Both our kitchens before had music, and I have missed it.

The unit was sold out over Christmas and was delivered today. Needless to say, I installed it today and then went scrounging through my CDs for some music to cook and eat by, since Duke has not resumed classes and I had the night off. I got to cook dinner for the two of us – and to sing along as I did. There’s hope for this little kitchen all because of one detail: we are going to create some memorable scenes here as well, I can feel it.

Tonight, I offer a music sampler of some of the soundtrack of our evening, hoping they help to tune your heart towards memory making.

First, Jackson Browne singing “These Days.”



Mary Chapin-Carpenter: “Why Walk When You Can Fly”



I love this guy’s voice: Ray Montagne’s “Trouble”



A dip back into the Eighties: Lone Justice singing “Shelter”



I’ll let Jackson close things out: “For a Dancer”



On this day of the Feast of Epiphany, I’ll close with a quote from Twelfth Night (which was last night): “If music be the food of love, play on.”

Indeed.

Peace,
Milton